Alex is a fifteen year old Asian-American girl going to extremes to get her own mother to notice her. She’s a dream child-- except to her parents who wish she was a boy. Luckily she finds a sympathetic ear in Kate, her irreverent guidance counselor who knows all too well what it’s like to walk in Alex’s shoes. As three generations of women find their identity in question, each needs to decide who makes the rules and what happens when you break them.
Lead funding for 2ST Uptown is provided by the
CHISA HUTCHINSON (Playwright) is the current recipient of the 2016 Tow Foundation grant for the creation, development and production of this new play through Second Stage Theatre. Hutchinson's socially probing plays, which include She Like Girls, Sex on Sunday, The Subject, Dead & Breathing, and Somebody’s Daughter among others, have been presented by such venues as City Parks' Summerstage, the Lark, the National Black Theater, the Contemporary American Theater Festival, the New Jersey Performing Arts Center, and Atlantic Theater Company. She's won a GLAAD Award, the John Golden Award for Excellence in Playwriting, a Lilly Award, a New York Innovative Theatre Award, the Paul Green Award, a Helen Merrill Award, the Lanford Wilson Award, and has been a finalist for the highly coveted PoNY Fellowship. She’s also been a Lark Fellow, a Dramatists Guild Fellow, a resident at the William Inge Center for the Arts a New York NeoFuturist, and a staff writer for the Blue Man Group. Currently, she is a Humanitas Fellow, Resident Playwright at Second Stage Theater, and a proud fourth-year year member of New Dramatists. (B.A. Vassar College; M.F.A NYU - Tisch School of the Arts).
MAY ADRALES (Director) has helmed several world premieres including Qui Nguyen’s Vietgone (Manhattan Theatre Club, South Coast Rep, Oregon Shakespeare Festival and Seattle Rep); Chisa Hutchinson’s The Wedding Gift (Contemporary American Theater Festival); JC Lee’s Luce (LCT3); Katori Hall’s Whaddabloodclot!!! (Williamstown Theater Festival); A. Rey Pamatmat’s Edith Can Shoot Things and Hit Them (Actors Theatre of Louisville) and after all the terrible things I do (Milwaukee Rep); Thomas Bradshaw’s Mary (The Goodman Theatre) and The Bereaved (Partial Comfort Productions); Zakiyyah Alexander and Imani Uzuri’s girl shakes loose her skin (Penumbra); In This House (Two River Theater Company); Richard Dresser's Trouble Cometh (SF Playhouse); Qui Nguyen’s Five Days ‘Til Saturday (NYU Tisch) and Tommy Smith’s The Wife (Access Theater). She directed David Henry Hwang’s The Dance and the Railroad at Signature Theater; Kimber Lee's Tokyo Fish Story (Old Globe); Stefanie Zadravec's The Electric Baby (Two River); Katori Hall’s The Mountaintop (Milwaukee Rep); Chinglish (Portland Center Stage, Syracuse Stage); Everything You Touch, (CATF); In the Next Room, or Vibrator Play and Disgraced (Syracuse Stage); and Breath and Imagination (Cleveland Playhouse). She is a Drama League Directing Fellow, Women's Project Lab Director, SoHo Rep Writers/Directors Lab and NYTW directing fellow, and a recipient of the TCG New Generations Grant, Denham Fellowship and Paul Green Directing Award. She proudly serves as an Associate Artist at Milwaukee Rep. She is a former Director of On Site Programs at the Lark Play Development Center and Artistic Associate at The Public Theater. May has directed and taught at Juilliard, ART, ACT, Fordham, NYU and Bard College. May is on faculty at the Yale School of Drama and Brown/Trinity MFA program. MFA, Yale School of Drama.